The Aeron chair is an office chair manufactured and sold by American furniture company Herman Miller. Introduced in 1994, it was designed by Don Chadwick and Bill Stumpf and departed from the design of traditional office chairs by eschewed upholstery in favor of fabric mesh. It received numerous accolades for its industrial design and is featured in the Museum of Modern Art's permanent collection. It has been cited as the best-selling individual office chair in the United States with over 8 million sold.
According to Chadwick, they were tasked by Herman Miller to update the company's previous best-selling office chair, not to design the ideal chair for an eight-hour day. He said, "We were given a brief and basically told to design the next-generation office chair." They carried over some design concepts from the Sarah Chair, such as a semi-reclining mechanism that simultaneously moved the seat and chairback, to benefit professionals who worked long hours on computers. Early prototypes included foam and upholstery which were abandoned in favor of a fabric mesh called "pellicle" that they found would be more moldable to the user and more breathable, a concept carried over from the Sarah Chair to prevent bedsores. Herman Miller's marketing department was initially apprehensive about selling a chair without upholstery, but the company approved the design. The Aeron chair was introduced in October 1994 and priced at $1,000. It was reportedly named after the Celtic god Aeron, as well as referring to aeration and aeronautics.
The suspended "pellicle" mesh seat and backrest are moulded into glass-fiber reinforced plastic frames. The Aeron chair is made out of recycled materials, and 94 percent of the chair itself is recyclable. It was available in three sizes, A (smallest), B and C (largest), and originally included a height-adjustable lumbar support pad. In 2002, an updated ergonomic support system called PostureFit was introduced to improve lower back support. In 2005, the arms switched from a dial to a lever to loosen for height adjustment. Variants produced include a wheelless version with a flat base named the Aeron Side Chair, and a higher version with a footrest named the Aeron Stool.
In 2016, Herman Miller released a redesigned version of the chair named the Aeron Remastered, later sold and marketed as simply Aeron. Chadwick contributed to the updated design, Stumpf having died in 2006. It includes an updated suspension system, better spine support, a redesigned denser mesh and a re-engineered tilt. Some components that were previously aluminum were switched to plastic. The original version of the chair was given the retronym "Aeron Classic".
Sitting expert A. C. Mandal has criticized the Aeron for being "far too low" and not offering enough height adjustment and opportunities for the sitter to move.
The Aeron chair has been credited with revolutionizing the design of office chairs. According to architecture professor Witold Rybczynski, the Aeron was a "rejection of the traditional corporate chair hierarchy," and led to a decline of larger, high-back executive chairs among executives. According to New York, "Aerons were hailed as triumphs of industrial design and were a whole different beast from the overstuffed leather power chairs that dominated the Old Economy." Wired described the Aeron's appearance as "a chair that looked more engineered than designed."
In 1994, before the Aeron chair's general release, Museum of Modern Art curator Paola Antonelli added it to the museum's permanent collection. An Aeron chair is also displayed in the Brooklyn Museum.
In 2025, the Aeron chair was included in Pirouette: Turning Points in Design, an exhibition at the Museum of Modern Art featuring "widely recognized design icons ... highlighting pivotal moments in design history."
In 2010, Bloomberg News stated that the Aeron was the best-selling individual office chair in the United States. As of 2023, Herman Miller had sold 8 million chairs, and more than a million chairs are produced every year.
|
|